Björk, who sings in Brazil in November, says that new album is ‘play indoors’

Icelandic singer, who heads one of many days of the Primavera Sound pageant in São Paulo, releases her tenth album, ‘Fossora’

DIOGO BERCITO
WASHINGTON, USA

Björk descended from the sky and landed on earth. The Icelandic singer dug a comfortable gap, snuggled inside it and wrote her new album, “Fossora”, which will likely be launched on the thirtieth. It’s an album about underground areas, cities product of fungi and the return of our physique to the earth.

In a telephone dialog with the report, Björk describes the report as “a play in the home”. “You’re so comfy that you just keep lengthy sufficient to place down roots,” she says. The thought displays her personal journey again to Iceland, the place she completely lives after many years overseas.

The singer – who involves Brazil in November because the headliner of Primavera Sound – appears to be like for pictures to speak about sounds. He goes on digging mountains and sprucing correct metaphors. “Fossora” does sound like having one’s foot on the bottom, feeling the damp earth between one’s toes. The title evokes its which means – it’s the female of the Latin “fossore”, the one who digs.

Björk manages to convey that sense of grounding by means of her uncommon alternative of devices. The cornerstone of the album is a clarinet sextet, that are bass clarinets.

“I needed to land on the bottom and go deep,” he says. It’s the sonic reverse of her earlier album, “Utopia” (2017), which she describes as “a metropolis within the clouds” marked by high-pitched sounds. “It was like floating within the sky listening to flutes.”

In her newest works, Björk shocked by inventing new musical devices. This was the case, specifically, of “Biophilia” (2011). “In the event you’re not glad that one thing doesn’t exist on the earth, you should create it,” she says. In “Fossora”, nonetheless, the singer channels her creativity to not construct new devices – however to consider new methods to make use of those that exist already.


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“I used to be wanting ahead to taking an instrument that’s tough to put in writing for and attempting to create totally different colours with it,” Björk says. She explains that within the track “Atopos”, she used the clarinet to color an aggressive rhythm. In “Victimhood,” she sought extra melancholy, romantic territory. In “Fungal Metropolis” she blew cheerful tones. “If it labored, that’s one other dialog,” she says.

Björk, an outspoken introvert, speaks with a modesty that appears honest. “I believe on all my albums I at all times attempt to return to music faculty. I at all times attempt to study no less than one new piece of software program, do one thing I’ve by no means carried out,” she says. “We’re all college students. Sensible and silly. It has nothing to do with age.”

“Fossora” actually has this factor of being exterior to time, of being a mature and harmless album on the identical time. The album mixes mild tracks, like “Atopos”, with onerous ones, like “Ancestress”. “A number of the songs are quiet for the primary three or 4 minutes after which unexpectedly on the final minute you stand up and dance, and then you definitely sit down once more,” Björk explains.

It’s a reflection of the instances. Björk spent the Covid-19 pandemic in Iceland strolling on icy seashores. She had the enjoyment of getting mates over and reworking the lounge right into a dance ground, with heavy digital music. However she additionally skilled the ache of dropping her mom, Hildur Rúna Hauksdóttir.


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Two tracks from “Fossora” pay homage to Hildur Rúna. Within the funeral prayer “Sorrowful Soil”, Björk says that “in unhappy soil we dig our roots”. Within the epitaph “Ancestress”, she laments that “once you die, you are taking with you what you gave”. The melancholy, on this stretch, is sand operating by means of the fingers. However the singer says she wasn’t in search of catharsis, for therapeutic wounds. “I used to be extra involved with celebrating her life, giving credit score for the great issues she did,” she says.

One phrase specifically cuts deep into “Sorrowful Soil”. Björk repeats to her mom time and again: “You probably did nicely. You probably did your greatest.” She explains that she got here up with the concept just a few years in the past when she visited her grandfather within the hospital and browse a pamphlet with recommendation for members of the family of the terminally sick.

“Earlier than they die, folks need to know in the event that they did nicely. I attempted to inform my mother that, however possibly it wasn’t sufficient,” she says. “Generally you place one thing into the music that you just haven’t had the chance to precise.”

Fascinated about the phrase, Björk additionally realized that there was musicality. It was a mantra. “The rhythm was very fascinating. You probably did nicely, you probably did bbbb-well. As if I used to be attempting to get it into their conscience earlier than they left.”


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As together with her different albums, Björk pays consideration not solely to the music but in addition to easy methods to wrap it in pictures. She explains that, like a tarot card, the quilt of “Fossora” is crammed with symbols. The darkish colours seek advice from the earth. The truth that you kneel indicators your connection to the bottom. All of the visible components are beneath her, marking her descent from heaven to earth.

“Fossora” is his tenth album. Celebrating the milestone, Björk additionally launched a podcast collection known as “Sonic Symbolism”, through which she tells the story of every of her data. Typically, the singer has talked so much in regards to the previous, maybe with the nostalgia of somebody who has reached the age of 56.

Within the observe “Ovule”, from the brand new album, she makes a sort of abstract of her love life, for instance. The track reads: “Once I was a lady I believed love was a assemble I used to be strolling in the direction of, however lethal demonic divorces demolished the best.”


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Within the dialog with the report, Björk talks so much in regards to the previous. She even remembers how she got here to Brazilian music, which marked her profession. The observe “Human Nature” is sampled by Tom Jobim, “Isobel” was impressed by Elis Regina and Björk met Milton Nascimento when he was in Brazil – images of the 2 collectively typically reappear on the networks.


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“One of many causes I’ve an affinity with Brazil is as a result of I can hear nature within the sounds, that are each fashionable and related,” he says. “These are songs you may dance to, however the lyrics are excessive poetry.”

Björk listened to Brazilian music within the Eighties, when it was uncommon for vinyl to achieve remoted Iceland. She saved cash all winter to go overseas. She introduced albums to the island and went out lending them to mates.

“Generally there was just one copy circulating, and it was often on the incorrect time. If an album got here out in 1976, we listened to it in 1981, and we didn’t give a rattling”, she says. “I sort of prefer it. My favourite CDs I listened to within the incorrect yr. An excellent album is an effective album.”
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Digger
When: September thirtieth
The place: On digital platforms
Writer: Björk
Gravadora: One Little Impartial Information

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